The presence of the "self" in blind writing of Martin Adam

Keywords: Singularity, Vitality, Voice

Abstract

This  work  try  to  analyze  the  modes  of  manifestation  of  the  presence  of  “self ”  to  the  lyrical  speaker  in  Escrito  a  ciegas  by  Martín  Adan.  This  is a reflection that assumes, in principle, a hegelian perspective on the “voice.” For Hegel, the human voice is the manifestation of the living at the level of phenomenic experience for the man himself. We postulate that the “voice” and update the lyric poem allows access to be the lyric speaker mode to experience the vitality of a self that inhabits the poem Escrito  a  ciegas.This  vitality  is  not  in  any  ephemeral  materiality  but  in  the discursive configuration of a being as vanishing mediator between readers of the poem and the experience itself.

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References

ADÁN, Martín (2010) Escrito aciegas. (“Manuscrito” y “Edición de 1961”). http://www.pucp.edu.pe/biblioteca/martin_adan/hoj_esc.php.

ADÁN, Martín (2006). Escrito a ciegas (Carta a Cecilia Paschero). Lima: Sur Librería Anticuaria.

KINSELLA, John (1989). Lo trágico y su consuelo: estudio de la obra de Martín Adán. Lima: Mosca Azul.

PÉREZ, Hildebrando (2006) “Escrito a ciegas: un resplandor perpetuo”. En ADÁN, Martín. Escrito a ciegas (Carta a Cecilia Paschero). Lima: Sur Librería Anticuaria.

SIMON, Josef (1982). El problema del lenguaje en Hegel. Madrid: Taurus.

Published
2011-05-12
How to Cite
Mondoñedo Murillo, M. (2011). The presence of the "self" in blind writing of Martin Adam. Letras (Lima), 82(117), p. 189-197. https://doi.org/10.30920/10.30920/letras.82.117.13