The presence of the "self" in blind writing of Martin Adam
Abstract
This work try to analyze the modes of manifestation of the presence of “self ” to the lyrical speaker in Escrito a ciegas by Martín Adan. This is a reflection that assumes, in principle, a hegelian perspective on the “voice.” For Hegel, the human voice is the manifestation of the living at the level of phenomenic experience for the man himself. We postulate that the “voice” and update the lyric poem allows access to be the lyric speaker mode to experience the vitality of a self that inhabits the poem Escrito a ciegas.This vitality is not in any ephemeral materiality but in the discursive configuration of a being as vanishing mediator between readers of the poem and the experience itself.Downloads
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References
ADÁN, Martín (2010) Escrito aciegas. (“Manuscrito” y “Edición de 1961”). http://www.pucp.edu.pe/biblioteca/martin_adan/hoj_esc.php.
ADÁN, Martín (2006). Escrito a ciegas (Carta a Cecilia Paschero). Lima: Sur Librería Anticuaria.
KINSELLA, John (1989). Lo trágico y su consuelo: estudio de la obra de Martín Adán. Lima: Mosca Azul.
PÉREZ, Hildebrando (2006) “Escrito a ciegas: un resplandor perpetuo”. En ADÁN, Martín. Escrito a ciegas (Carta a Cecilia Paschero). Lima: Sur Librería Anticuaria.
SIMON, Josef (1982). El problema del lenguaje en Hegel. Madrid: Taurus.
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